|New FSE member - Croatia: Croatian Screenwriters and Playwrights Guild|
Application Letter SPID
[...] SPID was founded in 2015 and in only three years we have managed to make a mark in the Croatian audiovisual scene as a whole. Numbering sixtyeight members and counting, we represent a wide array of writers – our members work for TV, film, theatre, radio, the gaming industry, new media and comics.
|16th FSE ANNUAL GENERAL ASSEMBLY (FSE AGM)|
SUMMARY OF THE OFFICIAL DECISIONS taken by the General assembly, composed of the Full members of FSE
|Sofia Coppola Screenplays (Download)|
The screenplays in the address below are the only ones that are available online. (NOTE: For educational and research purposes only).
|FSE Award: the video!|
|"Les exceptions et limitations en matière de droit d’auteur"|
File entitled "Les exceptions et limitations en matière de droit d’auteur".
|Netherlands Guild Report|
The professional organisation for screenwriters, the Netwerk Scenarioschrijvers (Screenwriter Network), aims to promote the position of the screenwriter.
|Writers Guild Italia: Annual Report 2015-2016|
In the last few years italian audiovisual industry was deeply impacted by the general crisis. Investments decreased dramatically. A huge percentage of screenwriters got unemployed, lots of them simply change their occupation.
In this environment, Writers Guild Italia tried at its best to obtain new opportunities for italian screenwriters. Our goal was – and is – to change the producers' and broadcasters' approach to the industry.
|France Media Production Trends|
Presentation of Media Production Trends in France.
|Denmark Guild Report|
The guild: The Danish Writers Guild represents about 350 members, which are all professional screenwriters, playwrights and translators. We are continuously experiencing a small increase in the number of members.
|ALMA: Spain media production trends|
We have talked about this with our CMOs and they are getting money from the traditional broadcasters for online rights, but it is not a proportional amount based on visits and actual advertisement income, but an estimated bonus added to the traditional broadcasting remuneration rights. Streaming platforms are not paying yet.